FINE ART
Featured
Sotheby’s latest exhibition at its new global headquarters in the Breuer Building on Madison Avenue has a combined market value in excess of $2 billion.
VIPs swarmed the Miami Convention Center Wednesday for the 23rd edition of Art Basel Miami Beach, which comes at a time of angst and uncertainty in the fine art market.
The art world makes its annual southern pilgrimage December 2-7, and for seven days, Miami becomes the proving ground where reputations are minted, careers launched, and the very definition of contemporary art is contested. Here’s your guide.
Two monumental portraits of Patti Smith dominate Franz Gertsch. Presence, which runs through January 31, at Hauser & Wirth, 134 Wooster Street, Soho.
Mitchell's "black paintings" on view at David Zwirner in Chelsea are far more psychologically complex than mere impressions of seascapes and shorelines.
Beyond spiders and cells, the mega-gallery focuses on an often overlooked segment of Bourgeois's decades-long career through January 24.
Louis Vuitton unveils its first New York art exhibition: two Gustave Caillebotte masterpieces installed on the fifth floor of its temporary 57th Street store.
Paul Richard turns up in the most unlikely of places, like perched on top of a wet bar in a tony townhouse on Manhattan's Upper East Side. That's where he was the other day, showing his latest work.
If you want to dine at the New Museum’s high-end restaurant when it opens this fall, you’ll have to walk through New York's premiere graffiti spot to get there.
Flora Yukhnovich is featured amid the great masters of The Frick Collection in New York followed by the opening of a solo show at Hauser & Wirth Downtown Los Angeles.
Lévy Gorvy Dayan's Downtown/Uptown: New York in the Eighties captures a "messy, contradictory, and occasionally brutal" era in NYC art.
In "Man Ray: When Objects Dream" the Met gives Man Ray and his rayographs their props. It’s about time.
The fall art season is officially underway with the opening of The Armory Show. With more than two hundred exhibitors, the fair can be overwhelming, so it helps to go in with a plan, and we are here to help.
Not seen since 1985, Jorge Luis Rodriguez’s installation Orisha/Santos: An Artistic Interpretation of the Seven African Powers now at Ki Smith Gallery in the LES.
A peculiar New York City art form that has thrived for decades at the intersection of transportation, art and culture now faces the end of the line.
Now at Plato gallery on the Lower East Side, Exaltation, curated by gallery owner Elena Platonova.
Almost 50 years after she arrived on 43rd Street and two decades after she quit it, Dickson’s non-Times Square work is drawing new attention. And it’s about time.
The portfolio of Robert Mapplethorpe outtakes, held privately for decades, is being shown for the first time by the Kinsey Institute.
Next spring, MoMA will present Marcel Duchamp, a sprawling retrospective of the great provocateur’s work.
More than a quarter of the known works by the Sphinx of Delft are on display at the Frick and the Met.
Hollis Taggart recently expanded, adding a new location on the Lower East Side dedicated to contemporary and emerging art.
Lori Ziimmer’s incendiary offering, I'm Not Your Muse: Uncovering the Overshadowed Brilliance of Women Artists & Visionaries, reads like a manifesto wrapped in meticulous scholarship.
David Zwirner’s new gallery in Chelsea was unveiled with a press tour that coincided with the opening of Crucible, a solo exhibition by Kenyan-British artist Michael Armitage.
As auction houses hemorrhage staff and mid-tier galleries fold weekly, Frieze New York 2025 emerges as a battleground where art must justify its existence in an age of economic contraction and emergency.
Christie's May 12-15 auctions present a high-stakes referendum on market resilience amid economic crosscurrents. Represented: everone from Basquiat to Van Gogh.
Rearview Mirror, an exhibition of recently rediscovered photographs by Paul McCartney, opens April 25 at Gagosian in Beverly Hills.
New York is caught in a Mondrian moment this spring. As a Guggenheim's exhibition closes, Christie's has announced the upcoming auction of a quintessential Mondrian masterpiece.
The Frick Collection reopens its doors on April 17, returning Bellini, Rembrandt, Vermeer, Whistler, Goya and the rest to the domesticity of their rightful Upper East Side home.
For nearly two decades, Banksy has used the holiday season to stage interventions aimed at highlighting injustice in the face of the retail sentimentality machine. This could be his 2025 gift.