Jasper Johns returns to Gagosian in a survey of crosshatch paintings, forcing a long-overdue reassessment of what may be the most misunderstood period of the 95-year-old artist's career.

As 'Samo Lives' wraps production, the artist who created Samo with Jean-Michel Basquiat speaks out about Hollywood’s new look at the legendary neo-expressionist genius.

Giulia Blocal, the Rome-based street art writer and author, writes about AI’s role in public art.

Boston's Midtown Hotel features AI created “Warhols” in its decor, opting for algorithmic slop over human creativity.

The Last Dyes at David Zwirner marks the final group of photographs by the legendary photographer produced using a now extinct printing process that yields spectacular color images.

Calder Gardens, the latest addition to Philadelphia's museum mile, doesn't contrast with Alexander Calder's aesthetic. It mirrors it.

Helen Frankenthaler: A Grand Sweep will be up until February in MoMA’s second-floor atrium, a soaring space about the size of Frankenthaler's boundless ambition.

The Museum of the City of New York marks Robert Rauschenberg's centennial with an exhibition that zeros in on the artist's relationship with photography and the metropolis that shaped his revolutionary vision.

For nearly two decades, Banksy has used the holiday season to stage interventions aimed at highlighting injustice in the face of the retail sentimentality machine. This could be his 2025 gift.

Sotheby’s latest exhibition at its new global headquarters in the Breuer Building on Madison Avenue has a combined market value in excess of $2 billion.

As street art gains traction in the elite word of Miami Art Week fairs, Shepard Fairey and other artists take time to reflect on the gains.

Once an afterthought, the street art component of Miami Art Week finally seems ready to assert itself.

VIPs swarmed the Miami Convention Center Wednesday for the 23rd edition of Art Basel Miami Beach, which comes at a time of angst and uncertainty in the fine art market.

While the moneyed collectors and elite gallerists at the big art fairs in Miami Beach, the pulse of Miami Art Week beats just as hard a few miles inland in Wynwood.

The art world makes its annual southern pilgrimage December 2-7, and for seven days, Miami becomes the proving ground where reputations are minted, careers launched, and the very definition of contemporary art is contested. Here’s your guide.

Keith Haring opens March 11, 2026, at The Brant Foundation Art Study Center, 421 East 6th Street, East Village.

Two monumental portraits of Patti Smith dominate Franz Gertsch. Presence, which runs through January 31, at Hauser & Wirth, 134 Wooster Street, Soho.

Mitchell's "black paintings" on view at David Zwirner in Chelsea are far more psychologically complex than mere impressions of seascapes and shorelines.

Beyond spiders and cells, the mega-gallery focuses on an often overlooked segment of Bourgeois's decades-long career through January 24.

Louis Vuitton unveils its first New York art exhibition: two Gustave Caillebotte masterpieces installed on the fifth floor of its temporary 57th Street store.