David Zwirner opens a survey pairing Richter's photorealist landscape paintings with selected abstract works as Christie's prepares to sell a selection of his works for an estimated $65 million. 

Staging Marcel Duchamp inside a museum, like the Museum of Modern Art, or a gallery, like Gagosian’s new space on Madison Avenue, is really asking too much.

The latest show at Hauser & Wirth's 18th Street gallery is an intimate portrait of the New York School pioneer settled comfortably into his latter day domestic self.

Raphael: Sublime Poetry, opening at The Met on March 29, brings together more than 200 works in the first major U.S is a reminder that what later generations took as doctrine began as disruption.

IN advance of a coming Whitney retrospective of the work of Roy Lichtenstein, Gagosian offers a look at one of Lichtenstein’s most persistent ideas: the brushstroke itself.

Elizabeth Peyton's latest solo show, mountains in my heart (the death of Sarpedon), now open at David Zwirner’s Chelsea gallery, 533 W 19th St.

The outsiders come inside this spring at the Outsider Art Fair, the American Folk Art Museum and off-Broadway in “Bughouse.”

$11.5 million for a Jerry Garcia guitar. $14.5 million for a Stratocaster. And a very old question: what makes anything worth anything at all?

Postcard Superhero and Other Contemplations, by Devo’s Mark Mothersbaugh, now open at Ki Smith Gallery on the Lower East Side.

For decades, Lee Krasner endured a particular kind of art world erasure. The Met seems ready to set the record straight — and it’s long overdue

More than 80 rolls of undeveloped 16mm film shot by Andy Warhol was recently developed for the first time. MoMA screens the complete recovered footage once, February 2 at 6:30pm

Sotheby's will auction Rembrant’s Young Lion Resting during its Masters Week sales in New York, with all proceeds benefiting Panthera, the world's leading wild cat conservation organization.

Master Drawings New York, an art fair dedicated to works on paper, is celebrating its 20th anniversary with shows in galleries throughout the city, mostly concentrated on the UES.

David Zwirner's London outpost opens a major exhibition of Robert Crumb's work shortly, bringing the underground comix godfather's unfiltered visual id to Mayfair.

As the 2026 edition unfolds this weekend, it’s clear that the Winter Show’s evolution is continuing with an increasing focus on art and an updated definition of “antique.”  

Jasper Johns returns to Gagosian in a survey of crosshatch paintings, forcing a long-overdue reassessment of what may be the most misunderstood period of the 95-year-old artist's career.

Boston's Midtown Hotel features AI created “Warhols” in its decor, opting for algorithmic slop over human creativity.

The Last Dyes at David Zwirner marks the final group of photographs by the legendary photographer produced using a now extinct printing process that yields spectacular color images.

Calder Gardens, the latest addition to Philadelphia's museum mile, doesn't contrast with Alexander Calder's aesthetic. It mirrors it.

Helen Frankenthaler: A Grand Sweep will be up until February in MoMA’s second-floor atrium, a soaring space about the size of Frankenthaler's boundless ambition.