Illustrations by Maria Krasinski
RAMS discusses the history of rappel graffiti, his inspirations, how he got started, what motivates him and the inside story of how he tagged a building near the Egyptian pyramids.
"Keith Haring" opens March 11 as the Brant Foundation continues its exploration of the 1980s downtown explosion that forever changed contemporary art.
Rome-based street art writer Giulia Blocal Riva explores a persistent pattern of corporate entities co-opting street art for marketing purposes without paying artists.
Richard Hambleton: Blood & Glitter, the late street art legend’s latest exhibition, opens at Howl! Arts/Howl! Archive, in the Lower East Side, the late artist’s home neighborhood.
IN advance of a coming Whitney retrospective of the work of Roy Lichtenstein, Gagosian offers a look at one of Lichtenstein’s most persistent ideas: the brushstroke itself.
Elizabeth Peyton's latest solo show, mountains in my heart (the death of Sarpedon), now open at David Zwirner’s Chelsea gallery, 533 W 19th St.
The outsiders come inside this spring at the Outsider Art Fair, the American Folk Art Museum and off-Broadway in “Bughouse.”
$11.5 million for a Jerry Garcia guitar. $14.5 million for a Stratocaster. And a very old question: what makes anything worth anything at all?
Postcard Superhero and Other Contemplations, by Devo’s Mark Mothersbaugh, now open at Ki Smith Gallery on the Lower East Side.
Raphael: Sublime Poetry, opening at The Met on March 29, brings together more than 200 works in the first major U.S is a reminder that what later generations took as doctrine began as disruption.