Giulia Blocal, the Rome-based street art writer and author, writes about AI’s role in public art.
For nearly two decades, Banksy has used the holiday season to stage interventions aimed at highlighting injustice in the face of the retail sentimentality machine. This could be his 2025 gift.
As street art gains traction in the elite word of Miami Art Week fairs, Shepard Fairey and other artists take time to reflect on the gains.
Once an afterthought, the street art component of Miami Art Week finally seems ready to assert itself.
The Last Dyes at David Zwirner marks the final group of photographs by the legendary photographer produced using a now extinct printing process that yields spectacular color images.
Calder Gardens, the latest addition to Philadelphia's museum mile, doesn't contrast with Alexander Calder's aesthetic. It mirrors it.
Helen Frankenthaler: A Grand Sweep will be up until February in MoMA’s second-floor atrium, a soaring space about the size of Frankenthaler's boundless ambition.
The Museum of the City of New York marks Robert Rauschenberg's centennial with an exhibition that zeros in on the artist's relationship with photography and the metropolis that shaped his revolutionary vision.
Sotheby’s latest exhibition at its new global headquarters in the Breuer Building on Madison Avenue has a combined market value in excess of $2 billion.
Boston's Midtown Hotel features AI created “Warhols” in its decor, opting for algorithmic slop over human creativity.